Footnotes

 

Kathleen K. Rowe, "Roseanne: Unruly Woman as Domestic Goddess," Feminist Television Criticism: A Reader, ed. Charlotte Brunsdon, Julie D’Acci, and Lynn Spigel, (Oxford: Clarendon Press, 1997) 76.

2 Darrell Y. Hamamoto, Monitored Peril: Asian Americans and the Politics of TV Representation, (Minneapolis: University of Minnesota, 1994) 238-255.

3 Ibid, pg 6-11

4 Ibid, pg 12-14

5 Ibid, pg 22,

6 Ibid, pg 24

7 Ibid, pg 25, 26

8 Ibid, pg 165-66

9 Ibid, pg 175

10 Ibid, pg 178-179

11 Ibid, pg 212-214

12 Ibid, pg 232-234

13 Rick Marin and Charles S. Lee, "Too Much Sitcom, Not Enough Seoul," Newsweek September 19, 1994: 70.

14 Howard Rosenberg, "Sitcoms, Sitcoms, Sitcoms: Joke’s on Us," Los Angeles Times 21 Sept. 1994, home ed.: F1.

15 Susan Schindehette, "Her brilliant Korea. (Asian American comic Margaret Cho stars in ‘All-American Girl’) (Interview), People Weekly Oct. 10, 1994: 91, 92.

16 "Sitcoms; Going Mainstream; U.S. Television Has Its First Asian-American Show," Asiaweek, October 12, 1994: 42.

17 Ibid

18 Gary Jacobs, "In Defense of ‘All-American Girl’," Los Angeles Times 20 Mar. 1995, home ed.: F3.

19 Greg Braxton, "Cancellations Upset Minority Groups," Los Angeles Times 17 May 1995, home ed.: F4.

20 Jun Xing, Asian America Through the Lens: History, Representations, and Identity, (Walnut Creek: Alta Mira Press, 1998) 34.

21 Ibid, pg 72

22 Ibid, pg 72, 73

23 Patricia Mellencamp, "Situation Comedy, Feminism, and Freud: Discourses of Gracie and Lucy," Feminist Television Criticism: A Reader, ed. Charlotte Brunsdon, Julie D’Acci, and Lynn Spigel (Oxford: Clarendon Press, 1997) 60-74.

24 Margaret Cho, I’m the One that I Want (New York: Ballantine Books, 2001)

25 Lisa Richardson, "She’s a Stand-Up Academic for a Day," Los Angeles Times 19 Mar. 2001: E1.

26 Stuart Hall, "Encoding/Decoding," Culture, Media, Language (London: Hutchinson, 1980) 128-138.

27 Lynn Lu, "Critical Visions: The Representation and Resistance of Asian Women," Dragon Ladies: Asian American Feminists Breathe Fire, ed. Sonia Shah (Boston: South End Press, 1997) 17-29.

 

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